John Byam Liston Shaw

John Byam Liston Shaw, The Queen of Hearts (1896).
John Byam Liston Shaw, Silent Noon (1894)
The Royal Borough of Kensington and Chelsea Culture Service, Leighton House Museum.
John Byam Liston Shaw, The Queen of Spades (1898).
John Byam Liston Shaw, The Flag (1918)
John Byam Liston Shaw, Omphale (1914)
John Byam Liston Shaw, Love’s Baubles (1897)
Walker Art Gallery
John Byam Liston Shaw, The Caged Bird (1907)

The Caged Bird (1907), is an allegory. The caged bird is being released to fly where it wants, whilst the poor girl herself will never be free to follow her heart. As the youngest daughter, her duties lie with her ageing parents. The clarity and gaiety of the colours set in the old garden of Condover Hall in Shropshire are in sharp contrast to the sobering reality of her situation.

The model for the painting was Maud Tindal Atkinson, an artist pupil who exhibited at the Royal Academy 1907, from whom he painted a life size watercolour which hung at the Royal Academy in 1906.

The symbolism of the release of a caged bird in Seventeenth-Century Dutch painting signified the loss of virginity of the owner. As Maud was his favourite pupil, it would appear that this hidden meaning too was not lost on the artist.

John Byam Liston Shaw, Amor Mundi (Heavenly Love).
Date unknown.
John Byam Liston Shaw, The Lady of Shalott (1898)
John Byam Liston Shaw, Jezebel (1898)
Russell-Cotes Art Gallery & Museum.
John Byam Liston Shaw,
Eve, Adam, and the serpent in the Garden of Eden (1911)
John Byam Liston Shaw, A Dirge. Date unknown.
John Byam Liston Shaw, At the theatre. Date unknown.
John Byam Liston Shaw, Such Is Life (1907)
Leeds Museums and Galleries

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