John Byam Liston Shaw

John Byam Liston Shaw, *Silent Noon* (1894)
*The Royal Borough of Kensington and Chelsea Culture Service, Leighton House Museum.*

John Byam Liston Shaw, *The Queen of Spades* (1898).

John Byam Liston Shaw, *The Flag* (1918)

John Byam Liston Shaw, *Love’s Baubles* (1897)
Walker Art Gallery

John Byam Liston Shaw, *The Caged Bird* (1907)

The Caged Bird (1907), is an allegory. The caged bird is being released to fly where it wants, whilst the poor girl herself will never be free to follow her heart. As the youngest daughter, her duties lie with her ageing parents. The clarity and gaiety of the colours set in the old garden of Condover Hall in Shropshire are in sharp contrast to the sobering reality of her situation.

The model for the painting was Maud Tindal Atkinson, an artist pupil who exhibited at the Royal Academy 1907, from whom he painted a life size watercolour which hung at the Royal Academy in 1906.

The symbolism of the release of a caged bird in Seventeenth-Century Dutch painting signified the loss of virginity of the owner. As Maud was his favourite pupil, it would appear that this hidden meaning too was not lost on the artist.

Helene Schjerfbeck began as a precociously skilled, slightly melancholic late-19th-century academic realist. She finished as a painter whose sublime abstract images are an exquisite harmony of pure paint and cryptic description.

“I have to draw to the point of madness, just draw. Just work, work and think of nothing else”, said the brilliant Ernst Ludwig Kirchner. It did him no good, he was just another “degenerate” artist to the Nazis.

From hat shop girl to Dutch art icon. But who was the Girl in the Kimono? The opaque story of an 1890s working class teenager immortalised by George Hendrik Breitner.

Descendant of samurai and relentless entrepreneur, Ogawa Kazumasa opened Tokyo’s first photo studio, shot Japan’s art treasures, the 100 prettiest geisha in Tokyo and taught photography to the military. His legacy is these exquisite images of flowers.

L’Estampe Moderne; the 1890s Parisian Art Nouveau “best of” album feat. various international artists. 4 lithographs every month. Just 3₣r 50c an issue.

It’s easy to see how, in the mid 1800s, Paul Gustave Doré “hypnotized the widest public ever captured by a major illustrator”. Even Van Gogh was a fan, he copied Doré shortly before shooting himself.

In the 1890s the Dutch painter, George Hendrik Breitner took nude reference photos for his paintings. In the 1990s they were found.

Karl Wilhelm Diefenbach. 1880s free love messiah, naturist, pacifist, vegetarian, sun worshipper and unique symbolist painter.

Found photos : Three lost decades of Iowa Speedway recovered. With Merlin Benning, Lester “Red” Dralle. Claus Stricker, Don & Dick Feckers & Red Droste. 1950>1970.

The Art of Protest: Albert Hahn was righteous anger manifest. A graphic character assassin that even the mighty Germany Kaiser feared.

It’s 1914. and Orientalism meets Art Nouveau and the early stirrings of Art Deco in Emile-Allain Séguy’s “Samarkande: 20 Compositions en couleurs dans le Style oriental”.

The 1920s French Art Deco influencer who drew pure design inspiration from the natural world. Insectes (1929) by Émile-Allain Séguy.

The forgotten Finska Vyer birch bark album, by I.K Inha, 1892. Inside are raw natural landscape photographs of Finland. It won the 1st international photographic competion in Paris.

William Morris. Strawberry Thief . “You can picture my Father going out in the early morning and watching the rascally thrushes at work on the fruit beds…”

The Swiss artist, Ernst Kreidolf (1863-1956). A Princess helped him give up the life of a farmer to put his faith and future in the hands of the flower fairies. He lived magically ever after.

Dope fiends busted. 1950s narcotics crime photography from the archives of L.A. Enquirer.

John Martin’s sister was murdered by a neighbour, one brother was a “perfectly cracked” eccentric philosopher/inventor & the other an insane religious firestarter. Perhaps it’s no surprise John became the ultimate harbinger of The Apocolypse.

Outraged. The 1896 murder of Helen Thomson. Markinch, Fife, Scotland.

Achille Lemot learns the exact price of a mistress in 1870s Paris.

Erland Soderburg. A 1907 matricide. “Then I grabbed a small kitchen knife that was lying on the table. I hacked at her throat, then slashed it and the blood spurted out on me.”

Children of the Runestones. 300 A.D. Sweden.

The Dutch ocean liner Hooft, plagued by rats, burned three times and cursed by a French shipyard that lost 3 ocean liners to fire between 1930-1933.

1800s India. A mystery blue-eyed, pale skinned redhead is painted alongside those of 28 Mughal royals. An anonymous court artist evokes how richly the Indian “1%” lived, in these exquisite and rarely seen paintings.

Found. 3 Untitled works (1974). By an unknown artist working in a daylight atelier in Budapest.

8 mystery photographs from 1908/1910. From within some kind of medical institution or sanitorium somewhere in Eastern Europe. There’s one small clue: The Trendelenburg Position. Maybe.

Painter & early street photographer. The astonishing early street photography that helped George Hendrik Breitner add social realism to his famous paintings of Amsterdam.

India mid-1800s : Dr John Murray, cholera specialist an photographer. He spent 40 years travelling with gear weighing 400 pounds and a servant. His ever so slightly psychedelic negatives made it all worth it.

Samarkand, early 1900s. The first ever colour photographs of the ancient Persian city by Sergey Prokudin-Gorsky, an unknown Russian who invented his own colour photography process.

It’s 1914. and Orientalism meets Art Nouveau and the early stirrings of Art Deco in Emile-Allain Séguy’s “Samarkande: 20 Compositions en couleurs dans le Style oriental”.

Around the world with the rare travel drawings by the American painter, Frederic Edwin Church (1826–1900). Found in the archives of the Huntington Library, San Marino, CA.

John Byam Liston Shaw